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The Greatest

Back in 2015, I wrote a post about alcoholism, which highlighted songs from both singer, Sia and rapper, Kendrick Lamar. Two years later I find myself doing it again, only except this post is on a different note. In this post I’ll be highlighting Sia’s 2016 single, The Greatest, which features Kendrick Lamar.
First of all, I was so excited when I heard that Sia and Kendrick Lamar were on a song together. They are both extremely talented artists. In the song, Sia sings, “I’m free to be the greatest, I’m alive.” That’s basically the premise of the song, being free, alive, and great. This song has such an incredible message for anyone who’s ever felt like giving up or quitting. She even repeats, “Don’t give up” several times throughout the song. This song is so encouraging and it’s a song that everybody can relate to. It’s definitely been on repeat on my playlist! The music video is so haunting yet artistic, I just can’t stop watching it. The choreography is absolutely phenomenal. The kids are amazing. I’m sure by now everybody’s heard the song and seen the video, but if you haven’t (welcome back to earth. lol), go check it out! The Greatest is definitely one of the greatest songs written in the past couple of years, in my opinion. I love songs with a positive message. There’s so much negativity and horrible things happening in the world, for some people, music is their only escape. If you ever feel like giving up, remember that you’re alive for a reason. You have all of the freedom to be yourself and nobody can ever take that away from you, no matter how hard they try. In Kendrick’s verse, he talks about how his scars and letdowns only made him stronger. I don’t believe that Kendrick is an exception. I believe that anyone can turn their stumbling blocks into stepping stones if they don’t give up.

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About a Ballerina


In December, Misty Copeland was named one of Barbara Walters’ most fascinating people of 2015. There’s no doubt that she deserved it, she became American Ballet Theatre’s first African-American principal dancer. Misty is only ABT’s third African-American soloist, the first in twenty years.
The first time I’d ever heard of Misty Copeland, she was on the Arsenio Hall Show. After seeing her perform, I was captivated. Misty’s story of her rise to stardom despite adversity is very inspiring. Misty Copeland is not your average prima ballerina. She didn’t start dancing until she was thirteen years old. Most dancers would say she was already at least ten years behind. The odds were stacked against her. Misty has been told that she has the wrong body for ballet. At 5’2″ she is considered to be too short. She has been told that her legs are too muscular, and her chest, too large. Misty did not let these discouraging words become a stumbling block for her. Instead, they became a stepping stone. Misty Copeland is a prodigy.
Misty was introduced to ballet at the Boys & Girls Club in San Pedro by Cynthia Bradley, who taught a free class once a week. Soon, she began taking classes at the San Pedro Dance Center. By the time she was fourteen, Misty had won her first solo role and the national ballet contest. She mastered dancing en pointe in just three months as opposed to three years. In 1998, she won first place in the Los Angeles Music Center Spotlight Awards. She then studied at the San Francisco Ballet for a six week workshop under a full scholarship. Misty became a member of ABT’s Studio Company in 2000, and a member of the corps de ballet a year later in 2001. By 2007, she was a soloist.
Misty is a perfect example of courage and determination. She was raised by a single mother, living in a motel with five siblings. She was an African-American studying an European art form. She was told she would never make it. She dared to dream and then she beat the odds.